Again, same note of the major scale, but played starting from a different degree (6th). In the case of the C major scale, the relative minor is the A minor scale. Probably you have already encountered the concept of relative minor scale: the scale built from the sixth degree of a major scale is called relative minor. Each starting note gives life to a very specific feeling, even if we use only notes of the major scale How The Relative Approach Relates To Modes? Try to play these sequences and listen to the sound. It can be seen that each modal scale has characteristics with respect to the intervals that form it.As the notes involved here are only the ones composing the major scale, we can say that we've just seen different ways to play the major scale. Locrian: G# – A – B – C# – D – E – F# G#.Aeolian: F# – G# – A – B – C# – D – E – F#.Mixolydian: E – F# – G# – A – B – C# – D – E.Lydian: D – E – F# – G# – A – B – C# – D.Phrygian: C# – D – E – F# – G# – A – B – C#.Dorian: B – C# – D – E – F# – G# – A – B. Ionian: A – B – C # – D – E – F # – G # – A.Now, to give another example in another key, we are going to see the modes of the key of A major. They are the notes that arise from constructing the scales on each degree of the key of A Major applying the same intervals as in that of C in the table above. Notes of the Greek Music modes of the key of A Major We have seen that the modal scales are built on each of the degrees and also the name of each mode. Now we are going to see what notes make up each one. Notes of the modal scales of the key of C Major
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